Tag: satire

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crime and punishment First Amendment rights judiciary

Court Halts Imprisonment for Speech

free speech, satire, mind control

Left-wing enemies of right-wing freedom of speech, specifically the freedom of speech of Douglass Mackey, recently got their way when U.S. District Judge Ann Donnelly sentenced him to seven months in prison.

But now, a month after sentencing, another court has said wait a minute.

As I reported in October, Mackey was convicted for actions in 2016 that nobody could have known would later be treated as crimes. The FBI had arrested him shortly after Joe Biden became president in January 2021 — as if waiting for a favorable political climate for an obviously partisan action.

According to selectively prosecuting U.S. Attorney Breon Peace, Mackey threatened democracy and sought to “deprive people of their constitutional right to vote.”

What attempted deprivation of voting rights? Did Mackey lock people in their homes so that they could not go out to vote? Steal ballots? Glare and scream at people walking toward a voting site?

No, all that this obvious opponent of Hillary Clinton did was publish satirical posts telling Hillary voters to vote by text, much easier that way. Obnoxious, maybe; or silly. But the posts had no power to hypnotize or derange anyone or, for that matter, prevent anyone from double-checking with an election office or Google. And prosecutors brought in no voters who claimed to have been fooled by the obvious jest — which arguably was satire, a jape upon Mackey’s political opponents.

There’s no there there. Nevertheless, Mackey’s liberty has been at risk at least since 2018, when his legal name behind his pseudonymous social media presence was revealed.

It’s still at risk. But the Second Circuit Court of Appeals has blocked Mackey’s seven-month imprisonment until his appeal can be decided and the free-speech issues properly adjudicated.

This is Common Sense. I’m Paul Jacob.

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First Amendment rights social media

Chirp Meets Buzz

twitter, Babylon Bee, censorship

The Babylon Bee won’t cooperate with Twitter’s censorship of the Babylon Bee.

When instructed to remove tweets in order to recover account access, people tend to comply.

Not always, but often.

Hard to blame them. But it does mean that Twitter gets away with all kinds of egregious censorship that the social media “platform” shouldn’t get away with.

The Bee’s latest sin? Bestowing upon HHS Assistant Secretary for Health Rachel Levine — who had just been dubbed a Woman of the Year by USA Today because Levine “identifies as” a woman — the title Man of the Year.

Twitter has locked the Babylon Bee out of its Twitter account.The platform literally “can’t take a joke.” And Twitter demands the Bee must delete the tweet to regain access.

“We’re not deleting anything,” says Bee CEO Seth Dillon. “If the cost of telling the truth is the loss of our Twitter account, then so be it.”

Dillon notes that account holders are not only expected to remove offending tweets but also to repentantly check a box to renounce the censored viewpoint. “You have to deny that you meant it. . . . They’re forcing you to grovel and adopt an ideological position that you don’t actually hold.”

The Babylon Bee is routinely assailed by Internet censors. Satire, parody, pastiche, lampoon, spoof, sarcasm, irony, etc. are all allegedly forms of “misinformation” and “hate speech,” thwarting of which is the rationalization du decade for stopping people from talking to each other.

In response, the Babylon Bee is thankfully taking a stand and, let’s hope and trust, won’t back down.

This is Common Sense. I’m Paul Jacob.

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Zucker’s Scold

Donald Trump, Kingsman meme

It was in bad taste.

The “meme” — an altered video — depicted extreme, murderous violence. But it was not “weaponized” as  incitement to real violence; it was, instead, “memeticized” contempt against the meme’s “victims,” the full panoply of media outlets along with a few iconic politicians.

The video was very popular over the weekend on social media. It took the church massacre scene from the first Kingsman movie, but with President Trump’s head placed over Colin Firth’s visage, crudely in “meme” fashion, and a few other heads put over other actors’, and the logos of major news outlets superimposed over most of the movie’s victims’ heads.

Cartoonish, yes, but done with élan.

Brooke Baldwin, however, is a paid agent of billionaire president of CNN, Jeff Zucker, and she has her marching orders, as revealed this week by a Project Veritas scoop. So she lit into the president in high moral dudgeon: “Mr. President, why is it taking you so long to condemn this video? You tweet all the time. I don’t want to hear from your press secretary . . . who says you strongly condemn the video . . . I want to hear from YOU.”

What Ms. Baldwin and her boss don’t get is that a growing swath of the American populace does not want to hear from a news reporter scolding demands that the president “condemn” things he had nothing to do with.

Trump didn’t make the meme, after all, nor had it made for him. 

Brooke Baldwin’s effrontery shows why someone might make a meme like the one in question. 

Not because you deserve to be killed, Ms. Baldwin, but because you deserve derision.

This is Common Sense. I’m Paul Jacob.

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Donald Trump, Kingsman meme

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general freedom media and media people

The Pumpkinification of Snopes

Babylon Bee, Snopes, fake news, satire

Satire exaggerates not just for a laugh, often employing the reductio ad absurdum for cutting effect — casting our attention on human follies and crimes. 

While the classic literary satires include Seneca’s Apocolocyntosis (divi) Claudii — “The Pumpkinification of (the Divine) Claudius” — and Jonathan Swift’s 1729 “Modest Proposal for preventing the children of poor people in Ireland from being a burden on their parents or country, and for making them beneficial to the publick,” we nowadays often turn to humor websites, like The Onion.

Or, increasingly, The Babylon Bee.

Last week, as I set out for the Far East, the Bee story that topped the page was “New Genderfluid Dolls Emit Blast Of Pepper Spray, Alert Authorities When Children Use Wrong Pronoun.” On the same date I caught “Man Sure Is Glad He Switched From E-Cigs To Regular, Healthier Cigarettes.”* And laughed until I coughed.

Worthy of The Onion, sure, but better than most recent Onion efforts. 

How did the Bee leap to the forefront of modern satire? Well, it’s a Christian site, actually, which seems to help. The Bee’s writers do not accept any dominant strain of contemporary culture as an admirable norm — like today’s “woke comics” must — so it is easier to find the absurdities in this current epoch’s conflicted and contradictory politics and culture.

The Bee so effectively lampoons dominant culture that snopes.com, the progressives’ most popular (putative) fact checking site, warned that the Bee’s great Chick-fil-A satire confused some readers because it “altered some details of a controversial news story.”

Satire is funny. Not getting satire? Priceless.

The Babylon Bee’s biggest competition may not be The Onion.

This is Common Sense. I’m Paul Jacob.

* Nick Gillespie of Reason mentions some titles that caught his attention: “‘Trump Is Being Influenced by The Russians, Screams Communist!’ and ‘Woke Polar Bear Apologizes for Being White.’ Classics include ‘Trump Proves He’s Not A Racist By Showing His Rejection Letter From The KKK’ and ‘Local Christian Would Do Anything For Jesus Except Believe Things That Are Unpopular.’”

Babylon Bee, Snopes, fake news, satire

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First Amendment rights ideological culture media and media people Regulating Protest

James Woods, Parody, and a Pillow

James Woods, Twitter, censorship, free speech, ban, parody, satire

The beginning of the end of actor James Woods’s time on Twitter likely occurred on July 20, 2018.

Only recently discovering a tweet that he posted then, Twitter has locked Woods out of a forum where his right-leaning messages have been followed by 1,730,000 people.

His delinquent tweet forwarded an image of giddily grinning guys promising to abstain from voting so that a woman’s vote would be “worth more.” Woods tweeted: “Pretty scary that there is a distinct possibility this could be real. Not likely, but in this day and age of absolute liberal insanity, it is at least possible.”

Twitter told the actor that if he agreed to the deletion of this fake-news tweet — simple enough — it would let him tweet once again.

Woods refuses.

“Free speech is free speech — it’s not [Twitter CEO] Jack Dorsey’s version of free speech,” Woods says. “The irony is, Twitter accused me of affecting the political process, when in fact their banning of me is the truly egregious interference. . . . If you want to kill my free speech, man up and slit my throat with a knife, don’t smother me with a pillow.”

There’s lots more where that came from, but you get the idea. I don’t, um, strictly agree with everything Woods says here. But I can only applaud the spirit of his refusal to submit to Twitter’s arbitrary standards of acceptable speech.

Oh, and one other thing: somebody tell Twitter that parodies are inherently fake.

This is Common Sense. I’m Paul Jacob.

 

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ideological culture media and media people national politics & policies

The Sitcom Society

Roseanne Barr, sitcom, sit-com, comedy, Television, controversy, Hillary Clinton, Donald Trump, satire

If we are entering a new Golden Age of television, it is for the most part passing the legacy TV networks by.

So, Roseanne Barr to the rescue!

The reboot of ABC’s Roseanne — a hit situation comedy of the late 1980s and much of the 1990s — should put the network and the art form back in the spotlight.

But though it is very popular, the show is not without . . . its political controversy. You see, funny-woman Roseanne plays Roseanne Conner, and she . . . (drum roll) . . . voted for Trump.*

Horrors!

Predictably, our modal mainstream media cultural mavens are not on board. Roxanne Gay, in the New York Times, complains that Roseanne’s views are “muddled and incoherent.”

Roseanne to Roxanne, hello-o-o: the character is fictional. Who said characters in a comedy should have coherent views? One would think the point of comedy would require the opposite.

Jezebel provides another fine example of this. In “What’s Up, Deplorable; Roseanne Is Back,” Rich Juzwiak opines that “[n]ever discussed was the laundry list of hateful, stupid, and wrong things Trump said, nor their even more nefarious implications.” On Twitter, Professor Jared Yates Sexton calls the character’s perspective “a cleaned-up lie,” and amounts to a turning a “blind eye to Trump’s many, many bigoted statements.”

Neither Juzwiak nor Sexton mentions any problem with the main alternative to the president in the last election — something Roseanne does in the show itself.

It’s almost as if what these (and many similar) critics want is a tidy propaganda piece for their opinions; it’s almost as if their objection is to the show’s realism.

Now that’s comedy.

This is Common Sense. I’m Paul Jacob.

 

* In the season opener, Roseanne defends the president from her dippy Democrat sister, whom she had not been speaking with since the election. Her sister, Jackie (played hilariously by Laurie Metcalf), enters the tenth season wearing a red pro-Hillary t-shirt and one of those grab-em-by-the-x pink hats. Their reconciliation is a hoot.

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