Tag: graffiti

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folly nannyism property rights

Vandalized, Scandalized

grafitti, San Francisco, crime, law

Store owners have another reason to get the heck out of that derelict-enabling and increasingly unlivable town, San Francisco. The city fines businesses for the crime of being vandalized by graffiti artists.

This form of harassing property owners is nothing new, but the city had temporarily reduced enforcement during the pandemic.

The policy is unjust in at least two ways.

First, there should be no fines for being hit by graffiti-vandals. It’s the vandals who should be punished, not the victims. Moreover, as Reason magazine points out, “Unlike accumulated trash, noise, or other standard nuisances, graffiti isn’t inherently offensive.”

Rather, it is the city that is being offensive by treating an owner’s property as if it were its own and penalizing owners if their property lacks the appearance that the city ordains.

Second, even granting the legitimacy of requiring property owners to clean up the graffiti, the policy as imposed is abusive. Businesses are being fined repeatedly for graffiti that they don’t magically remove at lightning speed and that the vandals, undiscouraged, simply slap back on anyway.

“I can’t even count,” Michael McNamara, manager of the restaurant Above Ground (now closed), told the San Francisco Chronicle last year. “The paint dries and you deal with another one.” The city had dunned Above Ground with at least three $300 bills for the graffiti.

Rewarding destructive behavior while punishing those whose way of work and life makes civilization possible is no way to run a city — but it is a way of running the good people out of town.

This is Common Sense. I’m Paul Jacob.

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Accountability crime and punishment ideological culture

Theft by Spray Paint

graffiti, New York, property, vandalism

Graffiti is theft.

That is how Heather Mac Donald puts it. “To a conservative,” she writes at City Journal, “graffiti is self-evidently abhorrent, a spirit-crushing blight on the public realm, and a theft of property by feckless individuals who avenge their mediocrity by destroying what others have built.”

But that is not how “liberals” or “progressives” see it, she goes on to explain, for they regard marking up buildings and subways and streets and sidewalks as a “political statement,” referencing the New York Times recent characterization of spray-painting on property you don’t own as “a courageous strike against stultifying bourgeois values” representing “urban grit and resistance to corporate hegemony.” 

With each graffito, Ms. Mac Donald insists, progressives see an icon of “the city’s vibrant, anti-capitalist soul.”

An interesting political divide. But this rumination  on the “taggers’” art is not random. Mac Donald is aghast that New York Mayor Bill de Blasio has cancelled a graffiti-eradication program.

This, she insists, will lead to more crime, worse crime than mere trespass paintings. It’s the Broken Windows idea, and she’s probably right. Allowing small crimes to go unchecked demonstrates a lack of respect for persons and property, and that trains a city’s population to go on to do worse things.

But the program was cut for a reason. You see, de Blasio’s disastrous coronavirus response has put New York into the red. The city has to cut somewhere.

Mac Donald, however, calls the $3 million saved a “rounding error” on the city’s $88 billion budget. She imputes to de Blasio and others a preference for crime rather than fighting crime.

Maybe. And maybe we add law and order to health and commerce as casualties of the pandemic panic.

This is Common Sense. I’m Paul Jacob.

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Ding Jinhao Was There

Boys will be boys. And tourists will be tourists.

Not long ago, a graffito was spotted on an ancient Egyptian wall — a stone relief, with pictographs and representations and the whole gamut of ancient Egyptian art — photographed and then posted to the Internet, where it got more than 100, 000 comments.

It was soon discovered to have been scratched into the wall by a 15-year-old lad from Nanjing: his mark read “Ding Jinhao was here.” And then came the firestorm. Though the BBC tells us that Egypt’s ministry of antiquities has dubbed the scratchmarks “superficial,” the “controversy comes days after Wang Yang, one of China’s four vice-premiers, said . . . that the ‘uncivilised behaviour’ of some Chinese tourists was harming the country’s image.”

Welcome, China!

Previously, the world had been blessed with the Ugly American, the Annoying European, and the Over-Photographing Japanese — tourists from wealthy or up-and-coming countries not uniformly presenting their respective nations in the best possible light as they tramped abroad.

In this case, though, it’s worth noting that most of the scandal is confined to China itself. The bloggers’ ire was primarily an in-group thing, and even the government (especially the government?) has gotten in on the shame game bandwagon, trying to needle tourists to behave themselves. (So much so that the desecrating teen’s father pleaded for the critics to let up — “too much pressure,” he said.)

As an I-try-not-to-be-ugly American, I appreciate the Chinese concern for manners and image — honor, really. And hope that all their graffiti remains easy to repair, and that the concern for national honor doesn’t go too far in over-reaction.

This is Common Sense. I’m Paul Jacob.