Tag: comedy

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ideological culture media and media people

They Don’t Get It

Jerry Seinfeld, woke culture, humor, comedy, TV

Jerry Seinfeld seems so everyday-​observant you get the idea that there can be nothing controversial about his comedy. But that just isn’t so. He’s had to avoid colleges for many years because the humorless young simply cannot take thoughts that lie even slightly outside their safe-​space delimited comfort zones.

Right now he’s getting some viral shares for an interview he did, wherein he clarifies his position.

Comedy, he says, is something everyone needs. “They need it so badly, and they don’t get it. It used to be you’d go home at the end of the day, most people would go, ‘Oh, Cheers is on. Oh, M.A.S.H. is on. Oh, Mary Tyler Moore is on. All in the Family is on.’ You just expected, ‘there’ll be some funny stuff we can watch on TV tonight.’

“Well, guess what. Where is it? This is the result of the extreme left, and PC crap, and people worrying so much about offending other people.”

In other words, wokeness kills comedy.

“When you write a script and it goes into four or five different hands, committees, groups, ‘Here’s our thoughts about this joke …’ well, that’s the end of your comedy.”

Yet, Seinfeld went on to explain how he works around all this. Avoiding colleges is only a part of it. 

In the end, it helps being good at what you do. Work around the nonsense, most of the time, but speak out against it, as he does now and then.

And it might help to continue laughing at the woke as well as laughing in spite of them.

This is Common Sense. I’m Paul Jacob.

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ideological culture Popular too much government

The Hilarity of a Serious Threat

socialism, comedy, tragedy, Bernie Sanders, democratic socialism

Is today’s politics tragic or comic?

Take the current Democratic Party obsession with socialism. There is nothing more tragic than full-​blown socialism: mind-​control and the snitch society; purges and mass starvation, with millions upon millions dead. But give them credit: the trendy new Democrats say they’re only for the Nordic Model of … well, the European term for it is social democracy.*

But they sure seem to push for evermore government.

Worse yet, they too often defend actual Communist countries — as Bernie Sanders (BS) has done.

This suggests an unfunny ending to their mad rush to power.

So the proud proclamations of the s‑label from BS and Alexandria Ocasio-​Cortez (AOC) should concern us, as should the eagerness with which the majority of Democratic presidential candidates have signed onto AOC’s over-​the-​top proposed takeover of the economy in her “Green New Deal.”

And yet … these politicians are absurd, on the face of it as well as when we drill down.

It’s hard not to regard absurdity as comic. 

The b.s. doesn’t end with BS.

Sure, our current president is a comic figure, too. And the pathetic nature of most GOP movers and shakers on Capitol Hill make them worthy of satire.

But it is also the case that Trump is funny in a way no one else is: he is playing a role and making many chortle. On purpose.

Too bad we couldn’t move him from the Presidency to a new Constitutional role, like Troll-​in-​Chief. There he could ensure, through mockery alone, what he promised in his State of the Union Address: America will never become a socialist country.

This is Common Sense. I’m Paul Jacob.

* Denmark, Sweden, etc., support extensive markets and a surprisingly hands-​off approach to business — comparable to that of the U.S., and in some ways more lax — combined with extremely high taxes and vast transfers of wealth. You could call this “democratic socialism,” but … why?

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socialism, comedy, tragedy, Bernie Sanders, democratic socialism

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ideological culture media and media people national politics & policies

The Sitcom Society

Roseanne Barr, sitcom, sit-com, comedy, Television, controversy, Hillary Clinton, Donald Trump, satire

If we are entering a new Golden Age of television, it is for the most part passing the legacy TV networks by. 

So, Roseanne Barr to the rescue! 

The reboot of ABC’s Roseanne — a hit situation comedy of the late 1980s and much of the 1990s — should put the network and the art form back in the spotlight.

But though it is very popular, the show is not without … its political controversy. You see, funny-​woman Roseanne plays Roseanne Conner, and she … (drum roll) … voted for Trump.* 

Horrors!

Predictably, our modal mainstream media cultural mavens are not on board. Roxanne Gay, in the New York Times, complains that Roseanne’s views are “muddled and incoherent.”

Roseanne to Roxanne, hello-​o‑o: the character is fictional. Who said characters in a comedy should have coherent views? One would think the point of comedy would require the opposite.

Jezebel provides another fine example of this. In “What’s Up, Deplorable; Roseanne Is Back,” Rich Juzwiak opines that “[n]ever discussed was the laundry list of hateful, stupid, and wrong things Trump said, nor their even more nefarious implications.” On Twitter, Professor Jared Yates Sexton calls the character’s perspective “a cleaned-​up lie,” and amounts to a turning a “blind eye to Trump’s many, many bigoted statements.” 

Neither Juzwiak nor Sexton mentions any problem with the main alternative to the president in the last election — something Roseanne does in the show itself. 

It’s almost as if what these (and many similar) critics want is a tidy propaganda piece for their opinions; it’s almost as if their objection is to the show’s realism.

Now that’s comedy.

This is Common Sense. I’m Paul Jacob.

 

* In the season opener, Roseanne defends the president from her dippy Democrat sister, whom she had not been speaking with since the election. Her sister, Jackie (played hilariously by Laurie Metcalf), enters the tenth season wearing a red pro-​Hillary t‑shirt and one of those grab-​em-​by-​the-x pink hats. Their reconciliation is a hoot.

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ideological culture media and media people moral hazard

Is This Even Funny?

Amy Schumer, comedy, equal pay, feminism, The Leather Special, PC, HBO, equality

Stand-​up comic Amy Schumer made headlines in Variety, this week, for her re-negotiations with Netflix over her recent comedy special, The Leather Special.

It initially garnered her a “mere” $11 million, while, Variety reported, comedians “Chris Rock and Dave Chappelle were given $20 million per special as part of their deals with Netflix,” according to a summary at Vulture​.com.* “Schumer then went back and negotiated for ‘significantly more compensation,’” scuttlebutt has it.

After-​the-​contract negotiations seem weird to me … almost … indecent.

But then, this might be apt, considering Schumer’s characteristic form of humor, which is almost relentlessly of an intimate sexual nature. Like many another Netflix watcher, I could not finish her special. “Indecent” is the nice word for it.**

The special was so relentlessly panned that Netflix created a new feedback system to discourage viewers from leaving severely negative criticisms and evaluations. It was a big deal months back.

So why did she think she could get more? Though she now denies it, the early reports said she demanded some sort of parity with Rock and Chappelle. And that “equal pay” for “equal work” ethic does seem to be behind the very idea of her ex post negotiating strategy. 

The thing is, Rock and Chappelle got more money, obviously, because their ability to make money for their venues is amply proven. Schumer, though she is not without talent and definitely has her partisans, is not as big an audience draw.

Like wages in the normal labor market, it’s about productivity.

And you’d have to pay me to watch The Leather Special in its entirety.

This is Common Sense. I’m Paul Jacob. 

 

* Variety is behind a paywall. I’m quoting Vulture because, like any good scavenger, I’m not paying for Variety.

** No idea whether I would have made it through a special with Chris Rock or Dave Chappelle. I get the impression I’m not in the target audience.

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