Tag: equal pay

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ideological culture media and media people moral hazard

Is This Even Funny?

Amy Schumer, comedy, equal pay, feminism, The Leather Special, PC, HBO, equality

Stand-up comic Amy Schumer made headlines in Variety, this week, for her re-negotiations with Netflix over her recent comedy special, The Leather Special.

It initially garnered her a “mere” $11 million, while, Variety reported, comedians “Chris Rock and Dave Chappelle were given $20 million per special as part of their deals with Netflix,” according to a summary at Vulture.com.* “Schumer then went back and negotiated for ‘significantly more compensation,’” scuttlebutt has it.

After-the-contract negotiations seem weird to me . . . almost . . . indecent.

But then, this might be apt, considering Schumer’s characteristic form of humor, which is almost relentlessly of an intimate sexual nature. Like many another Netflix watcher, I could not finish her special. “Indecent” is the nice word for it.**

The special was so relentlessly panned that Netflix created a new feedback system to discourage viewers from leaving severely negative criticisms and evaluations. It was a big deal months back.

So why did she think she could get more? Though she now denies it, the early reports said she demanded some sort of parity with Rock and Chappelle. And that “equal pay” for “equal work” ethic does seem to be behind the very idea of her ex post negotiating strategy.

The thing is, Rock and Chappelle got more money, obviously, because their ability to make money for their venues is amply proven. Schumer, though she is not without talent and definitely has her partisans, is not as big an audience draw.

Like wages in the normal labor market, it’s about productivity.

And you’d have to pay me to watch The Leather Special in its entirety.

This is Common Sense. I’m Paul Jacob.

 

* Variety is behind a paywall. I’m quoting Vulture because, like any good scavenger, I’m not paying for Variety.

** No idea whether I would have made it through a special with Chris Rock or Dave Chappelle. I get the impression I’m not in the target audience.

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Categories
folly ideological culture media and media people

Deep Dark Truthful Mirror

hollywood, oscars, politics, scold, pay gap, equal pay, Trump, lecturing

At my advancing age, I couldn’t stay up late enough to watch Hollywood’s winners grab their Oscars and punctuate their rambling, teary-eyed acceptance speeches by hurling brickbats at President Trump.

The Donald will have to defend himself for perverse statements such as heard on the Access Hollywood tape: “[W]hen you’re a star . . . You can do anything.” Live by the stars, die by the stars.

Still, consider: how much more effective would those Hollywood (snoozed-through) scoldings be had these cultural “icons” voiced similar disfavor against President Bill Clinton’s similar actions.

Regardless of the precise Clintonian “is”-ness of “is,” clearly “hypocrisy” is up in lights in Tinseltown.

Another seeming Hollywood double-standard strolls down the red carpet unimpeded: the gender pay gap. “Compared to men, in most professions, women make 80 cents to the dollar,” actress Natalie Portman said last month. “In Hollywood, we are making 30 cents to the dollar.”

Much ballyhooed and largely erroneous, the national gender wage gap compares the median male income against the median female income out of hundreds of millions of workers, without regard to jobs done, hours worked, or levels of experience. Conversely, leading roles in a movie can more fairly be compared.

The North Korean hack of Sony Pictures revealed numerous cases where female stars were paid far less than their male counterparts. For instance, in the film No Strings Attached, Ashton Kutcher, Portman’s male co-star, received compensation three times greater.

Yesterday, at Townhall, I asked a simple question: Wouldn’t it better serve the interests of fairness and equality were actors to muster whatever truth to be had directly at the Hollywood power structure . . . sitting before them in the ballroom?

This is Common Sense. I’m Paul Jacob.

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