Tag: woke culture

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crime and punishment education and schooling First Amendment rights

College Censors Squelched

college, censorship, academia, woke, wokeism

If you attend Oklahoma State University, you are, I hope, now free to speak.

OSU will shut down a “bias response team” instituted to harass speech on campus. We can thank a group called Speech First, which sued the school.

“We are excited to announce that OSU will be eliminating their insidious bias reporting system that told students to anonymously report on one another for ‘bias’ and that they will have to rewrite their harassment policy to include important speech protections so that students can no longer be punished for merely expressing their views,” says Cherise Trump, executive director of the organization.

“We have also secured a change to their computer policy so that it no longer targets the protected political speech of students.”

The settlement also requires the school to pay Speech First $18,000 for legal expenses.

OSU had tried to get the lawsuit dismissed because Speech First protected the names of its plaintiffs, OSU students.

Speech First’s reason for using pseudonyms is pretty commonsensical: to protect plaintiffs from retaliation. That a university with a policy of punishing students for renegade speech might also punish them for participating in a lawsuit to end this policy doesn’t seem like a farfetched concern.

The resolution of the case hardly means that the fight for freedom of speech on campus is over. But it may help other universities realize that, as Cherise Trump puts it, “there is a high cost to violating students’ constitutional rights.”

This is Common Sense. I’m Paul Jacob.

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The Wider Conversation

Richard III, acting, art, theater, wokeism, woke culture

“There can be nothing about us without us.”

That’s the clever slogan of the Disabled Artists Alliance, which last week tweeted a complaint about the casting of Richard III by Shakespeare’s Globe.

They weren’t complaining, as a naïf might suspect, about an actress playing the king.

Oh, no.

“We,” the signed letter explained, “are outraged and disappointed by the casting of a non-physically disabled actor in this role, and the implications this has not only for disability, but the wider conversations surrounding it.”

Michelle Terry, the Globe’s current artistic director, cast herself as Richard. Daring move? An advance for her “gender”? You may find the choice forced, or kind of dumb, but on the London stage it may seem like turnabout as fair play. In Shakespeare’s own time, men and boys often portrayed women and girls on stage. So the acting profession has a long history of making do with less-than-convincing performers in roles. 

The Disabled Artists Alliance wants us to side with disabled actors, as a class, even if, as has been noted, past disabled players of Richard III had not suffered from the precise disability of the historic English king: scoliosis.

The idea is that a disabled actor has more relevant “lived experience” to offer to the role than a healthy actor.

Yet, that’s just one element of the character. Why not look for actors with the same moral defects? There’d be plenty.

Or choose a royal. For the relevant experience.

Isn’t Prince Harry out of work?

Next up: Flat-earthers complain about the name of the theater wherein the scandal occurs: the Globe.

This is Common Sense. I’m Paul Jacob.

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The Resignation

woke campus culture

The fall of Harvard President Claudine Gay is not exactly the triumph we were looking for. 

Her resignation letter focused on the recent congressional hearings in which she found herself in the uncomfortable position of selectively defending free speech against a Republican politician slinging charges of “genocide” and “racism.” 

It was all very . . . the opposite . . . the upside-down . . . of how Democrats and Republicans had been dealing with free speech these last few years.

And that is the most important context. Her letter’s evasion of discreditable cases of academic plagiarism — at Harvard, no less! — while not honorable, was at least politically apt. One administrator’s fraudulent academic history is no match for the issue of freedom of speech.

Which, as a legal matter, is as Ms. Gay said it was, a matter of context. You have the right to advocate genocide or say racist things on your property or on hired property. You do not have the right to shout such things just anywhere.

But college campuses aren’t just anywhere. They are allegedly places for intellectual debate. The practice of academic freedom means that the property and customs of universities and institutions of higher learning allow differing opinions to be aired. 

In classrooms; in papers; in auditoriums. 

Still, these student academic free-speech norms don’t extend anywhere and everywhere, in all campus contexts. No student may hide behind “free speech” or “academic freedom” to corner and scream hatred of Israel at every Jew on the quad. That’s where Ms. Gay’s answers in congressional hearings were so unsatisfactory. Especially since Harvard and other major higher education institutions have been disallowing some speech from academic contexts and celebrating other quite threatening speech in the university’s public places.

Gay’s resignation reminds us of Al Capone’s imprisonment for tax evasion: a work-around at best. The underlying issues remain unresolved.

This is Common Sense. I’m Paul Jacob.

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The Bigger Boycott Before Bud Light

Bud Light, boycott, woke, wokism

It’s bigger than the beer.

“Bud Light’s business has collapsed since April,” explains sports commentator Clay Travis in a recent column for Fox News, “plummeting 30% in consumption, the result of the company putting a trans influencer on a can to celebrate the NCAA’s March Madness basketball tournament.” 

Travis calls it “the most crushing boycott of a large consumer product brand in modern history,” adding that Bud Light “might be finished as a popular beer.”

However, Travis also rebutted “many in the media” for “proclaiming Bud Light as a unicorn, the first of its kind conservative boycott that has obliterated decades of goodwill for a company.”

Not true, he argues: “The most consequential consumer boycott of the 21st century didn’t come from drinkers’ rejection of a beer, it came from sports, in particular the NBA, which has destroyed its brand with a large percentage of the American sporting public by embracing woke, political, far-left-wing messaging in its games.”

Travis informs that, since the 1998 NBA Finals, when superstar Michael Jordan sank a late jumper to win, there has been a 75 percent drop in viewership of the National Basketball Association’s championship. “Indeed,” he offers, “four of the five lowest-rated NBA Finals of the past 30 years have occurred in the past four years.”

Count me as one data point: I watched that great 1998 NBA Final and yet, today, I do not tune in. Why? I disagree with the NBA’s political bent and its repellent propaganda.

“More people were interested in watching” the Women’s NCAA Basketball Championship “in 2023,” reports Travis, “than the NBA Finals in 2020 and 2021.” (I saw that women’s championship game and declined both NBA Finals.)

But . . . why has the NBA’s nosedive in popularity not been news until now?

Mr. Travis says it’s because “the media loves the NBA embracing woke politics” and, therefore, “refused to share the data right in front of their eyes.”

Another case of so-called journalists deciding they like their readers and viewers less informed.

This is Common Sense. I’m Paul Jacob.

Bud Lite, basketball, woke, wokeism

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No Mystery, Just Confusion

woke, pc, woke culture

This week, two examples of “woke” political correctness shot across my visual field.

First, there was another classic 20th century writer bowdlerized by publishers and copyright holders so as not to offend the easily offended: Dame Agatha Christie.

As Robby Soave wrote in Reason, the great mystery writer has had her texts altered before, in the form of the title to her 1939 novel, And Then There Were None, which was originally published as Ten Little Indians. No, that’s not right. It was something far more offensive in America — but in U.S., one edition did use the less-offensive Ten Little Indians.

But now interior content of a much more innocuous sort has been changed. “A character in The Mysterious Affair at Styles who was referred to as a Jew — because, well, he is a Jew — is now just a person,” Soave explains. “And a servant identified as black no longer has a race at all.”

Nicety-mongering went much further in the second case, however, after the shooting at a Christian school in Nashville, Tennessee. The young woman who murdered three students and three adults at the school, and was then herself shot dead, sported, online, the pronouns “he/him.” In between blaming Republicans and the talking heads of The Daily Wire for this trans-gendered person’s suicide-by-cop murder spree, some journalists couldn’t help but scold others for mis-gendering . . . him?

At least one report referred to the perpetrator (whose name I see no reason to publicize) as a “trans-woman,” though, in current lingo, she (“he”) was a “trans-man.”

It does get confusing — but as sad as it can get, there’s no mystery here. 

This is Common Sense. I’m Paul Jacob.

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Roald’s Revenge

Roald Dahl, censorship

Two centuries after the heady days of Elizabethan drama, Thomas and Henrietta Bowdler produced The Family Shakespeare. 

In it they infamously “bowdlerized” the Bard. 

History has accelerated. Roald Dahl, the beloved author of arch children’s books (and more adult fare, too), had been dead only 33 years when it came out that his publisher is sanitizing his books. 

For the children.

For wokeness.

It’s not nice, you know, to call someone fat. Or to suggest that witches wore wigs because they were bald. 

So snip-snip and a trip to the thesaurus later, and British kids can now read the word “enormous” instead of “fat.” And learn, via addition (something the Bowdlers didn’t dare: they only made careful cuts), that “there are plenty of other reasons why women might wear wigs and there is certainly nothing wrong with that.”

Salman Rushdie called this “absurd censorship” and said that the culprits, Puffin Books and the Roald Dahl estate, “should be ashamed.”

The backlash has been huge, but the umbrella publishing house, Penguin, insists the unexpurgated Dahl will still be available, in a “Roald Dahl Classic Collection.”

Shades of New Coke versus Classic Coke!

In America, Penguin won’t even try to publish its sanitized editions.

There are several footnotes to the story. 

One: a four-decades old conversation “has come to light, revealing that [Dahl] was so appalled by the idea that publishers might one day censor his work that he threatened to send the crocodile ‘to gobble them up.’” 

Two: Ian Fleming’s James Bond is getting a similar treatment.

I’m reminded of the all-too-hungry crocs in Live and Let Die.

And where Dahl’s gobble-uppers should be when publishers place their toes in censorious waters.

This is Common Sense. I’m Paul Jacob.

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