Categories
free trade & free markets tax policy too much government

Cinema Without Subsidy

Yesterday I insisted that states stop subsidizing filmmaking. Implied, I hope, was the notion that states needn’t provide tax credits to lure movie shoots to their state, either.

No sooner did I wrap up that argument (with the premature proclamation “end of story”) than I read a fine article on Show Me Daily about how “States Can Entice Businesses and Industries Without Credits.” The article begins talking about making films in Wisconsin, where the tax credits were just cut by two thirds. And yet the state has nabbed some major film efforts.

According to Show Me, “Wisconsin sets a great example.…” Every state has something going for it, unique locations, geography, architecture, people, climate, what-​have-​you. “Firms will locate” where they do for relevant reasons; “they don’t need to be bribed with generous incentive packages.”

But, but, but, but! some will sputter. Film companies are special firms. They start up, inhabit a location for a while, and then vamoose. State regulations and business taxation often makes it very difficult to shoot in a particular place. Filmmakers need special help around encumbering bureaucratic obstacles.

I’m sympathetic. For example, the business-​and-​occupation taxes that increasing numbers of states are instituting are horrendously burdensome: They take from gross revenues, of all things! 

But the proper way around such counter-​productive laws is outright repeal, setting up better state revenue programs … ones that are not so generally destructive of industry, including the film industry.

This is Common Sense. I’m Paul Jacob.

Categories
free trade & free markets too much government

Knot Cannibalism!

Midas, in honor of his peasant-​turned-​king father, King Gordias, dedicated an ox-​cart to the gods, tying it with a knot so complex no one could undo it. It was there years later when Alexander of Macedon stopped by, and turned his hand to untying it. He couldn’t. So he took his sword and cut it open.

Some seemingly insoluble problems are best solved by stepping back and “cutting the Gordian knot.”

Take a current knot, fictional cannibalism. The auteur responsible for the gore-​fest The Offspring recently sought funding for another cannibalism horror film, to be entitled The Woman.

The funder turned him down. “This film is unlikely to promote tourism in Michigan or to present or reflect Michigan in a positive light,” said the head honcho of the funding institution, the state’s film commission.

Two years ago, that tax-​funded organization produced 26 separate efforts. “Isn’t that just amazing?” Commissioner Janet Lockwood gurgled.

But her turning down funding for a horror film, for reasons of content, have let loose a storm of criticism. Some say that when government says “no” to an artistic product on content grounds, that’s censorship.

They are right.

Others say they don’t want their tax dollars going to vile, disgusting depictions of cannibalism and other vices and crimes.

And they are right, too.

The solution? Cut the knot of this problem in one swipe: Governments shouldn’t fund films. End of story. [Roll credits.]

This is Common Sense. I’m Paul Jacob.