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ideological culture initiative, referendum, and recall

Erecting Democracy

Though I opposed the 2003 U.S. invasion of Iraq, I was not at all offended when an Iraqi mob toppled the statue of Saddam Hussein. 

I liked it. That statue was a symbol of oppression.

In my mind, at least. 

I guess that’s the rub, eh? A symbol of oppression to one person might be an important piece of history to another.

Here in the good ole USA, we now have our own variant of statue roulette going on, of course. And I wonder: Can we not find a better way to decide public policy regarding statue removal than today’s status quo of leaving it up to roaming, violent mobs? Iconoclastic crowds that, we can see, have some trouble coherently identifying the enemy symbols they seek to vandalize.*

“[T]he choice in 2020 is very simple,” offers President Trump. “Do you want to bow before the left-​wing mob or do you want to stand up tall and proud as Americans?”

Actually, cancel those calisthenics.

Let’s vote on the issue. 

Either lawmakers or citizens should initiate ballot measures, city by city, state by state, asking voters to choose: keep or remove said statute(s).

The advantages?

  • A more fair and democratic approach, for starters. 
  • Less public policy decision-​making by mobs.
  • No one else need be critically injured from faulty statue-​removal efforts.

Perhaps most important of all, a real discussion and debate can take place.

Where all sides can be heard. 

Whatever decisions get made regarding any given monument, we would at least better understand each other.

Let’s stop fighting and start voting.

This is Common Sense. I’m Paul Jacob.


* Monuments to famous abolitionists, Matthias Baldwin and John Greenleaf Whittier, as well as a memorial to fallen Union soldiers, who gave their “last full measure of devotion” to end slavery, have been defaced or destroyed. “The irony of vandalizing a monument to those who died to end slavery,” said a Friends of Matthias Baldwin Park member, “is lost on the morons who don’t know their history.” 

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folly ideological culture media and media people national politics & policies political challengers

Naked Came the Pickle

Last week, Donald Trump’s enemies staged an “emperor has no clothes” gag in full view of the public. It was a caricature of Trump, and featured him fat, old, and nude … and gave us a full view of the pubic.

Titled “The Emperor Has No Balls,” it failed to qualify as highbrow.

Kristin Tate, author of Government Gone Wild, was one of many non-​left commenters to take note of the double standard in plain sight: while media folk chuckled and even gloried in the short-​lived art placements, their reaction to a similar graven image of Hillary Clinton would almost certainly have been viewed with horror and outrage.

This week, the real (non-​effigy) Hillary proffered another stunt.

Facing rumors that she is not well, that her fall several years ago left her with a host of neurological and physical disabilities — rumors that focus on her weird leave of the stage at one of the Bernie debates, her strange, uncomfortable and borderline autistic bouts of laughter, her exaggerated motions, and much more — Mrs. Clinton went on Jimmy Kimmel Live to open a jar of pickles.

Considering the pickle she placed America in throughout the Middle East, perhaps there was a message here.

Whatever feat of strength this was supposed to amount to, Kristin Tate is having none of it. On Fox News’s RedEye, Ms. Tate insisted she heard no telltale “pop” that would indicate the unsealing of a sealed jar.

Somehow, this whole election season is symbolized in one lame stunt.

This is Common Sense. I’m Paul Jacob.


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Donald Trump, statue, Hillary Clinton, pickles, illustration