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ideological culture media and media people

The French King Flip Flap

There’s this great Jerry Seinfeld bit about how we treat our “important” friends on our smartphones: “They don’t seem very important, not the way you scroll through their names on your contact list like a gay French king.” And Mr. Seinfeld flipped his wrist in a motion of dismissal. “Who pleases me today?”

Well, Seinfeld is not pleasing the woke. Not today. Not The Washington Post’s Brian Broome. 

“Wake up, Mr. Seinfeld. Mean-​spirited humor isn’t cool anymore,” is Mr. Broome’s title. And his opinion is that times change, and meanie Mr. Seinfeld is a has-​been for making fun of marginalized people. 

You may have judged Jerry Seinfeld as one of the lighter, cleaner comics, his act almost universal. Broome says you’re wrong. “I have never found Jerry Seinfeld funny,” he explains. “Even in the ’90s when his show was all the rage, I didn’t get why people thought it was hilarious. It always seemed to me to be about immigrants being odd or unhygienic or making fun of women’s faces or body parts. The show always seemed mean-​spirited to me, and that’s just not my kind of humor.”

O, shall thy pearls be clutched!

Wasn’t the self-​described “show about nothing” really a comedy of manners where the main characters, George Costanza, Elaine Benes, Cosmo Kramer, and Jerry himself served as the actual butts of the jokes? These four egoists fretted over their ultra-​liberal concerns about good manners but always behaved badly. And we always knew it. And somehow still liked them — because Seinfeld was not mean-spirited!

Broome characteristically ends on a vindictive note: “So, yes, if you make ham-​fisted jokes about women or the LGBTQ+ community or people living with disabilities or the French, someone will come for you.” Thus, the mob beheaded the king. And the priest. All with wrong opinions.

Would Broome think the point of the “gay French king” joke was to make fun of gays? But recall the actual target: ourselves.

This is Common Sense. I’m Paul Jacob.


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They Don’t Get It

Jerry Seinfeld seems so everyday-​observant you get the idea that there can be nothing controversial about his comedy. But that just isn’t so. He’s had to avoid colleges for many years because the humorless young simply cannot take thoughts that lie even slightly outside their safe-​space delimited comfort zones.

Right now he’s getting some viral shares for an interview he did, wherein he clarifies his position.

Comedy, he says, is something everyone needs. “They need it so badly, and they don’t get it. It used to be you’d go home at the end of the day, most people would go, ‘Oh, Cheers is on. Oh, M.A.S.H. is on. Oh, Mary Tyler Moore is on. All in the Family is on.’ You just expected, ‘there’ll be some funny stuff we can watch on TV tonight.’

“Well, guess what. Where is it? This is the result of the extreme left, and PC crap, and people worrying so much about offending other people.”

In other words, wokeness kills comedy.

“When you write a script and it goes into four or five different hands, committees, groups, ‘Here’s our thoughts about this joke …’ well, that’s the end of your comedy.”

Yet, Seinfeld went on to explain how he works around all this. Avoiding colleges is only a part of it. 

In the end, it helps being good at what you do. Work around the nonsense, most of the time, but speak out against it, as he does now and then.

And it might help to continue laughing at the woke as well as laughing in spite of them.

This is Common Sense. I’m Paul Jacob.


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