The New York City Opera — the one that just produced an opera about Anna Nicole Smith — may close its doors soon unless it comes up with seven million dollars. That’s the gist of a New York Times story that doubles as an appeal to philanthropic opera buffs.
From comments at the site we learn that some readers feel that the opera house has been mismanaged. Others issue instructions to various deep-pocketed luminaries, telling them that here’s their chance do something for the city and their own legacy. Others heatedly defend the “Anna Nicole” opera against detractors.
Then we have this remark, from someone who calls himself BullMoose: “Tell me again how private charity works better than government subsidies.” That’s it. No argument, just a hit-and-run exclamation of ideological discontent with private enterprises, which don’t invariably succeed. Government-subsidized enterprises don’t necessarily succeed either; but the dole can keep them in operation regardless of whether they are doing something worth doing and doing it well enough to please customers willing to pay.
Private charity works better than funds forcibly extracted from me and other taxpayers because private charity is voluntary. When our contributions are voluntary, it means we don’t have to support artistic or other projects that we have no interest in and may even oppose. We are free to use our own judgment, devoting our limited resources to the things we care about . . . instead of the things BullMoose cares about.
This is Common Sense. I’m Paul Jacob.