“Shen Yun Performing Arts completed its 18th global tour earlier this month,” a May 24th press release informs, “a historic run of 799 shows in 199 cities in 26 countries in front of over a million people. ”
This notice, entitled “Triumphant 2025 Shen Yun Season Concludes,” may look like the usual glowing corporate self-congratulatory exercise in unwarranted hype. But it isn’t. “Shen Yun’s eight touring groups and hundreds of performers overcame tornadoes and fires as well as sabotage attempts from the Chinese Communist Party (CCP) and its allies. And yet, not a single performance was missed.”
That is an accomplishment, indeed, for the theater troupe did face back-room political pressure from that great foe of freedom, the CCP.
I had seen several news reports of their troubles. It took a court order, for example, to enforce a venue contract with South Korea’s Kangwon National University. University officials had “greenlit the New York classical Chinese dance company’s application to perform at its Baekryeong Art Center on April 1,” explains The Epoch Times, “only to walk back on the agreement after the Chinese embassy voiced a complaint.”
The university “stated that its decision to cancel the show had to do with the public interests of the school,” of course. But while“escalating the matter into a ‘diplomatic issue’” obviously loomed large, the center also mentioned the danger from “the roughly 500 Chinese-national students studying at the center who it claimed could stage protests, potentially leading to clashes, should the performance go on as scheduled.”
The Shen Yun Performing Arts organization is made up of many artists who have fled communist China. The communists in China do not like defectors, and their reach is alarming.
Thankfully, in this case, the CCP failed.
This is Common Sense. I’m Paul Jacob.
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